Tag Archives: Rich Jacobs

Press Release: Winter Group Show

Winter Group Show

Opening December 12th 2009 7-11pm

Winter Group Show

White Walls is proud to present the Winter Group Show opening December 12th 2009. No themes or undertones to this exhibit, just the best art from the artists we’ve been dying to see. This massive group show features more than 30 artist from around the US with close to 60 original pieces of art. Please join us for the opening reception at White Walls Gallery on December 12th 2009 from 7-11 pm.

We are excited to show several artists who we are inspired by and admire. Varying from prolific artists who have established careers to those who are just now emerging. This exceptional collection fluctuates between abstract, mixed media, sculpture, urban, folk and contemporary art. The Winter Group Show embodies White Walls’ mission to push the boundaries between lowbrow, urban and fine art and we are proud to exhibit such a diverse collection all under one roof.

Featured Artists: Clayton Brothers, AJ Fosik, Thomas Campbell, Anthony Lister, Mike Shine, Cody Hudson, Katy Horan, Rich Jacobs, Alex Kopps, Kill Pixie, Greg Gossel, Ernesto Yerena, Timothy Karpinski, Nas Chompas, Mark Warren Jacques, Erik Foss, D Young V, Antistrot, Aaron Nagel, Robert Burden, Becca, Casey Gray, Lance Strongheart, Henry Gunderson, Mercedes Heinwien, Phillip Lumbang, Akira Beard plus more surprise guests to come.

Winter Group Show opens December 12th, 2009 and runs through January 2nd, 2009. Please see our extensive media kit for images, artist statements and further information on the event.

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Red Carpet: Rich Jacobs & Albert Reyes

Red Carpet

A warm thank you to everyone who came out for last Saturday’s opening reception! Rich Jacobs and Albert Reyes deserved the recognition for all their hard work, and we were happy to have them in the gallery to celebrate with friends. Take a look at some pictures from the opening reception and be sure to stop by White Walls Gallery before October 3rd to see this one of a kind show.

Rich Jacobs opening receptionRich Jacobs’ final touch to the installation

Rich Jacobs opening receptionAlbert Reyes, Ian Johnson, and Rich Jacobs

Rich Jacobs opening reception

Rich Jacobs opening receptionJesse Hazelip and Laiyna Magana

Rich Jacobs opening receptionChristian has the beats on lock down

Rich Jacobs opening receptionRichard Colman and friend

Albert Reyes opening receptionAlbert with friends

Rich Jacobs opening receptionKate, Rich, and Spencer

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Ramblin Worker and Justin Giarla

See more at our flickr page or check out The Shooting Gallery’s opening photos.

Rich Jacobs in the House

In the House

With titles like “The Tree of Life and Curiosity” and “The Path Leading to Well Spiced Foods, Warm Places to Lay Down, and the Occasional Back Rub, of Course,” you might realize the kind of show Rich Jacobs is currently mounting. Slowly but surely, our walls are filling with hundreds of paintings and drawings to be presented this Saturday. Feed your inquiring mind with these snapshots and stay tuned for more from Rich Jacobs.

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Exclusive Interview: Rich Jacobs

In anticipation of Searching by flashlight, for the bright spots on your brain, and such opening next Saturday, September 12th

Interview by White Walls

by Rich Jacobs

Rich Jacobs was once a nomad, drifting with the wind to whatever alpha city beckoned him. Raised on drawing, skating and zine making in Southern California, Jacobs was instilled with a deep sense of creative freedom. As a curator and artist today, he continues to surround himself with individuals who think outside the box. Rich revels in the small moments from which big inspiration can be gleaned and his art is a clear reflection of this.

When we asked Rich a few questions about his upcoming show, he let his unfettered personality shine through. Read on to find out what makes Rich laugh, what skate tricks he can still pull off, and how becoming a father has changed everything.

White Walls: How many places have you lived? Where, when, why?

Rich Jacobs: I was born in Long Beach California, lived there 6 years, moved to Seattle for 6 years, and then Denver for 6 years. So then at 18 years old- right after I left high school – I went to Utah for like 6 months, then back to East LA, and LA County all over for many years. I lived in San Diego, Silver Lake, Los Feliz, then back to San Diego, for like a year and a half then I moved to New York in 2000, lived there about 7 seven years, a little longer, then we moved here to SF.

The day after I got married, Kate and I left New York for San Francisco. I don’t know how many times I moved while living in LA, but it seemed like about every 6 months or every year. For a long time, I used to move all the time.

Which place was your favorite to live in?

I like New York, and LA, SF is good too, home is where your head is I think unless it rains, then you are stoked to have a place to lie down. You know shelter from the elements and so forth. No one likes the cold, but a lot of folks I know don’t like humidity- that New York has a lot of. It would be rad if all my friends from LA and New York lived here, and there was a little more sun here. But really, Spain is rad and South America is rad too. Holland is nice as well. I like a lot of places really…how’s that for a confusing answer?

Do you still skate?

Yeah but it looks kinda funny now. I roll around and sometimes pretend I am rolling down Signal Hill in the ‘70s. I like slappies, and curbs. I like banks too, and kinda ‘80s terrain. I can’t do flip tricks or handrails but those who can probably have fun, except when they spank their heads on the floor. That is never a good time as far as I can tell. I am no expert on it though, as I said I am a dinosaur and have been collecting dust for a good while now. I like skate rock, and skate zines are good.

by Rich Jacobs

Have you continued to publish zines?

Yeah I do, I don’t know if they are any good though. When you are young and naive, it is usually better, less jaded, and more open. I try to just do things I am into so I don’t come off a grump or something. I like arty creative zines that look like someone making it fell inside the copier and put a lot of themselves in their zines, earnestness goes far in this area.

I like to see passionate art creators make zines that are not just computer font’s graveyards and real stale layouts that look like lame ‘90s graphic design by a computer expert (that can’t draw). Why even make a zine unless you put something into it and you care a lot about it. If I want to see a computer- never mind, I am getting grumpy I think, oops! Trying to not go there lately. Make zines and have fun, keep it raw, or don’t. If you have to use a computer- use it differently than everyone else, use it as your tool and don’t let it be the only boring way things look. Don’t use a template. Computers are not lame but don’t let them make you lazy or dull. I don’t know about blogs, but some people seem to enjoy them.

Years ago, you curated shows including Barry McGee, Phil Frost, Thomas Campbell, Margaret Kilgallen, and Ed Templeton. Do you still keep in touch with these artists?

I try to, everyone is busy but yeah it’s nice when we run into one another. Everyone is doing their thing. It seems like things just get better, I have always felt so lucky to know and have such good folks around. To see their inspiring work is a treat.  I am stoked to hear from anyone I have worked with and been friends with for sure. I like making new friends too.

by Rich Jacobs

What do you know how to cook?

Cooking is good. I like making food, I cant bake or follow directions, but I try to make food how I make art somewhat. I just go with what is seemingly an instinct- I like freedom, not really discipline. I am known in some circles as a salsa maker. I am not afraid of spice, not even a little bit generally.

How do you look at the world?

I try to see it as much and as often as possible with new eyes, and careful thoughtful goggles. Kate and I just had Spencer, our new son. He is teaching us a lot already. he has helped change some old perspectives. When he smiles I forget everything I ever thought I knew about things and remember to be grateful, and keep it simple. Not much really matters, unless you let it matter.

I like discovering new and old mavericks, outlaws, weirdos, and musical pioneers. People who aren’t boring and all shriveled up already. I like finding new pockets of energy in unexpected places like basements and backyards, warehouses, side streets, fields, and tide pools. There is a lot to look at, thankfully, out there.

by Rich Jacobs

If you knew a long wait at the DMV was ahead, what reading material would you bring with you?

I would try to bring a copy of Wire Magazine, a sketch pad, some weird pencils, and pens and maybe try to make a zine all improv style. Impromptu zine making is underrated. Overheard conversations in line: there is the text.

What makes you laugh?

Absurdity, stress, and certain friends who are…funny. Sometimes Spencer, and Kate.

What makes you cry?

Extreme poverty, harsh vibes, jocks in white turbo SUV trucks/tanks that always pass you going 300 mph. death, drug abuse, people hurting each other and governments who like war more than not war. You know sad things, bad music, bad food, food poisoning, hospitals, no health care, the sex trade, people trafficking, middle class guilt and wasteful ideas… the ‘50s.

What brings out your opinionated side?

Probably political issues that make people hot headed sometimes. Things that seem unfair or unjust still.

by Rich Jacobs

How has your art changed since the early days?

Lines change sometimes- they get longer; sometimes you learn which ones to not wait in.

Of all the pieces in your personal collection, which is your favorite?

I like them all the same. But probably something found… I like the way things look.

How has your artmaking process changed since your son’s arrival onto the scene?

Sure everything changes things and what’s a little crying? No seriously, it makes multi tasking so important. It is not an easy feat. But many have done it; we are making some stuff as we speak. We as in me, and Spencer.

Have you ever considered drawing your wife or son?

Just did it the other day when they were sleeping next to me on the couch. He is hard to draw, baby heads are no joke.

by Rich Jacobs

What does “Searching by flashlight, for the bright spots on your brain, and such” mean to you?

It has to do with making sure you keep searching for inspiration even in dark, and lame scenarios. Stay open, positive, and utilize a good sense of balance, and humor as well. It incorporates the concept of looking for the good in others, admiring their abilities and talents, as well as yourself. It likes the idea of sharing and being kind, and not fighting wars, or starting them, and not occupying other peoples properties and territories, or umm… countries even. Or keeping them in dark places like prisons, or say detained for 7 years, inspiring more dark places to be in other peoples minds, that once were light.

It has to do with making the best of what you have even when that seems hard to do……I guess  these are things I am making up as I go, but I am thinking about these kinds of things as I make the work. I like to celebrate the good along with the not so good, but I want to focus more on the bright spots here.

If your characters could talk, what would they say?

Hmmm? Some would ask for help, some would ask you to go grab a burrito, a glass of horchata, and some chips with them. Others would ask for a breath mint, still others would ask your advice on matters, or tell you a story. Some would say, “Ask not what you can do for yourself, but what art can do for you instead.” (Just kidding.) They are hopefully not that selfish. They might ask others to be more humble, and quiet, or they might ask for better places to walk or skate.

Maybe they’d ask for someone to comb their hair (or comb-overs) and stop making everyone look so wrinkled, weathered and like Ronald Reagan youth. They might ask for someone else to draw them, but hopefully not. Have fun, draw a lot, make stuff, do zines, give away your belongings, go do a good skate or bike roll, breathe in and feel lucky. Life is what you make it, mostly. so try. Thanks.

by Rich Jacobs

We hope to see you at Rich Jacobs’ opening on Saturday, September 12th.

More posts about Rich:

Studio Visit

Sneak Peek at New Works

Sneak Peek: Rich Jacobs

We were happy to get a visit from Rich Jacobs and family yesterday. After oogling over his adorable baby boy, we unpacked dozens of bright orange, teal, and purple paintings that Rich brought with him. There’s plenty more to come, but we can already see that this body of work combines his signature characters with intricate designs. His color palette is cheerful, yet the subject matter warrants deeper contemplation of Jacobs’ pieces.

Here are a few detail shots to get your mind turning, and stay tuned for the opening of Searching by flashlight, for the bright spots on your brain, and such opening September 12th at White Walls.

Rich Jacobs detail 3

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Rich Jacobs detail 2

Rich Jacobs detail 5

Meet Rich Jacobs

We are excited to welcome Rich Jacobs into our gallery for the September exhibition, Searching by flashlight, for the bright spots on your brain, and such. Rich will be joining forces with Albert Reyes for this two man show opening on September 12th, 2009.

Our publicist, Jillian Mackintosh, recently did a studio visit with Jacobs. Read below for an excerpt from her blog detailing what we might expect from his upcoming show, how he spends his leisure time, and what’s in his personal art collection.

Rich Jacobs studio visit

Over the years, Rich Jacobs has surveyed the existence of both figurative and abstract art. Through a mix of drawings and paintings, his new exhibit Searching by flashlight, for the bright spots on your brain, and such reveals the expressive part of himself. I was able to spend some time with Rich and get to know him and his art a bit more. His new exhibit at White Walls Gallery opens September 12th and I for one, am eager to see his installation and most recent works.

Rich Jacobs studio visit

Rich Jacobs works free form with no end result in mind. He starts to draw and lets the expression be his result. His art mixes raw, organic form with detailed, tight, pattern based figures. Jacobs abstract pieces are expressive, uncontrolled and free flowing. Repetitive shapes use a visual language of form, line, and color, impulsively capturing the strange and beautiful. Without referencing a naturalistic entity, his work translates it’s own form, creating a composition that exists independently from reality.

Rich Jacobs studio visit

Jacobs’ leisure time is spent studying human nature. Whether watching passionate dialogue, listening to what makes people tick, or simply observing the streets, he finds a way to capture the essence. Contrary to his abstract pieces, his figurative faces are representational and very stylized. Odd shaped heads and obscure features explore elements of rhythm, thought and communication. Each gestural drawing tells a story of experience, capturing familiar emotions and opening a window to the soul of a stranger. Jacobs paints with acrylic, fast drying house paint, pen and ink. He uses earth tones, subtle colors, and blues to make expressive patterns, shapes, layers. He collects found objects, wood, Japanese paints, and organic inks to create an eclectic body of work.

Rich Jacobs studio visit

Twelve years ago Jacobs began his life as a professional artist, curator and traveler. He attended Otis Parson in Los Angeles, but was shattered to discover the controlled curriculum of art school. Today he is an internationally acclaimed artist with an impressive resume of more than ten years working with the most well known urban artists of this generation. He has exhibited throughout the United States, Europe, Australia, and Asia.

Some shots from Jacobs’ personal collection:

Rich Jacobs studio visit

Rich Jacobs studio visit

Stay tuned for more updates on Rich Jacobs at White Walls Gallery on September 12th, 2009.

Press Release: Rich Jacobs

“Searching by flashlight, for the bright spots on your brain, and such”

New Works by Rich Jacobs

Rich Jacobs 2009

Opening Reception: September 12th, 2009 from 7pm till 11pm.
Show runs through:  October 3rd, 2009 and is open to the public.

White Walls is proud to present “Searching by flashlight, for the bright spots on your brain, and such” a new body of work by Rich Jacobs this September. Over the years, Jacobs has surveyed the existence of both figurative and abstract art.  Through a mix of drawings and paintings, this collection reveals the expressive part of himself. Please join us for the opening reception on September 12th, 2009 from 7pm till 11pm. Continue reading